The P379 Velvet Braided Headband: History, Identification, and Styling Tips
When you run your fingers along the tightly wound velvet cord of a vintage p379 headband, you can feel the deliberate skill that separates a mass-produced accessory from one meant to last decades. The braiding is neither loose nor stiff—each loop sits snug against its neighbour, creating a continuous spiral that holds its shape even after years of storage. This particular model, catalogued as “Classic Velvet Braided Headband” by its original British maker, reflects a design philosophy that values texture and durability over fleeting ornamentation.
The Braid Itself: More Than a Decorative Detail
Unlike plain velvet headbands that rely solely on the soft nap of the fabric, the braided construction of the p379 adds structural integrity. The velvet is cut on the bias and twisted into a tubular cord, then braided over a flexible core—often a thin brass or spring-steel band wrapped in silk thread. This technique, known in millinery circles as passementerie, was widely taught in British haberdashery schools until the 1960s. The result is a headband that can be gently shaped to fit the wearer’s crown without losing its spiral pattern.
Collectors familiar with the velvet pearl headband lineage—such as the later P356 Pearl Embellished Velvet Headband—will notice that the p379 dispenses with beads altogether. Its appeal lies entirely in the rhythm of the braid. In catalogues from the 1940s and 1950s, this model was often listed under the category “utility hair accessories,” a designation that did not imply low quality but rather thoughtful simplicity during wartime material restrictions.

A Brief History of the Braided Velvet Headband in Britain
The braided headband as a distinct style entered British fashion during the late Edwardian period, when women began to abandon heavy hats for lighter hair ornaments. By the 1920s, velvet ribbons braided with wire were marketed as “bandeaux” to keep bobbed hair in place. The p379 pattern, however, appears to belong to a later revival—the early 1940s.
Utility clothing regulations (Board of Trade’s “Utility Scheme”) encouraged minimal decoration, and the plain braided headband became a staple for land girls and factory workers who needed to keep hair away from machinery. The velvet used in these bands was often a rayon-cotton blend, chosen for its affordability and ability to take deep, fade-resistant dyes.
After the war, the same headband found a new audience. Teenagers in the 1950s wore them with cropped hair and rolled collars, while older women appreciated how the braid added subtle volume to a chignon. The p379 persisted in small haberdasheries well into the 1970s, long after synthetic headbands had flooded the market.
Identifying an Authentic Store P379
Reproductions exist, but the genuine vintage piece has three telltale features:
- Stitching: The braid is secured at the ends with a bar tack made of matching thread. Modern copies often use a glued insert.
- Metal core: A thin, flexible metal strip runs through the centre. You can feel it if you gently bend the band near the temple area.
- Fabric width: The velvet tube is exactly 8 mm in diameter (measured with a ruler). Slightly wider or narrower indicates a different pattern.
These details matter because the p379 was part of a standardised sizing system used by a now-defunct wholesaler in Birmingham. Without the metal core, the headband cannot hold the shape that makes the braid pattern visible from a distance.

Styling the Braided Headband Today
Because the p379 is essentially a narrow band of textured velvet, it works well with both loose and styled hair. For an everyday look, slide it over a low ponytail or wear it as a crown band with the braid sitting just behind the hairline. The lack of embellishment means it does not compete with patterns—try it with a checked blazer or a striped roll-neck jumper.
If you want a 1940s wartime feel, part your hair deeply to one side and let the headband anchor a soft wave. The braided construction also makes it an excellent choice for securing a silk scarf worn as a turban. Fold a square scarf into a triangle, tie it at the nape, and then slide the headband over the knot to keep everything in place. This trick is period-accurate: the p379 was often sold in department stores alongside “turban kits” in the 1940s.
Caring for Velvet Braids
Velvet is a pile fabric, and braided velvet is especially prone to crushing if stored incorrectly. Follow these steps to keep your p379 in collector condition:
- Clean only when necessary. Use a soft, dry toothbrush to lift dust from between the braid loops. Never submerge in water—the metal core will rust.
- Reshape the core. If the headband has flattened over time, gently bend it back into a soft curve by hand. Work slowly; the metal can snap if forced.
- Store flat. Loop the headband loosely (not tightly coiled) and place it in a cloth pouch. Avoid hanging it by the band, which stretches the velvet.
- Steam away creases. Hold a steamer at arm’s length and let the vapour pass over the surface. Do not touch the velvet while it is damp.
These precautions are similar to those you would take for a delicate pearl-embellished velvet headband, though the braided version’s exposed seams require extra vigilance.
Where the P379 Fits in a Conscious Wardrobe
A single vintage headband like the p379 replaces several fast-fashion accessories. It was made to be worn repeatedly, mended if necessary, and passed on. Its neutral palette—common colours are black, navy, forest green, and burgundy—allows it to act as a bridging piece between decades. Pair it with a 1960s shift dress or a modern cashmere coat; the braid provides just enough texture to prevent the outfit from feeling flat.
One final detail that collectors sometimes overlook: the original cardboard tag that occasionally survives with the p379 carries a small illustration of a woman’s profile wearing the headband over a Victory roll hairstyle. If you ever come across the piece still attached to that tag, you have found a near-mint example of British utility design at its most elegant.
